Just Moments of Falling in Love

He told me to meet him at F&B; he was sure I had mentioned wanting to go there, but I knew I hadn’t.

I wanted to go there; I’d wanted to visit for a proper meal since the night of hors d’oeuvres and drinks with my mom and the editors and publisher of FLAVORS Magazine.  I’d wanted to visit long before then:  since first driving down Peachtree Street into Buckhead one late October night, not long after returning to Georgia.  I’d spotted its black patio peeking across the street from under the boughs that drape Roxborough Road and frantically searched the building for the name before the light changed; the white letters stood just where they should, above the black cloth awning.

The valet service impressed me, as it always does, as it did the first time.  I stepped out of Dad’s black 1990s Mercedes feeling excited and luxuriously spoiled, relinquishing my responsibility to a young man in black and felt my mind turn powerfully to the clicking of strappy high heels laced around my ankles, vaguely noticing myself placing them one-before-the-other as I’d learned to do in modeling class as a teenager, the better part of my mind swirling with what-to-do-when-I-saw-him.

That’s the funny thing about falling in love, isn’t it?  You focus on so many small details that normally don’t seem to matter with anyone else, at any other time.  You try to pull away and find yourself again, and you just get swept back into the madly powerful emotion.

The restaurant mattered so much to me; being there with him was like having dinner with two favorite men, each competing for my attention.  I had been so aware of the decor, the first time:  the small French pots on an overhanging shelf near the bar charmed me intensely; the lighting from the darkened windows made the nook where our group sat on high stools at a long, high table feel all the more intimately intense.  I had lightly teased the server for his small negligences of my mother’s non-alcoholic beverages and later connected with the owner, impressed with his charm, grace and hospitality; had indulged in bite-sized appetizers that I’d enjoyed more and less.  But my attention was entirely on this place.

FandB Kitchen View

This time, my companion fought for my mind, first teasing the hostess and then our server on my behalf – the same server I’d teased on my first visit; my date worked hard to alight my senses with gestures, conversation, attention I’m unused to.  My mind and heart were caught in a massive tug-of-war between my way of typically experiencing meals, during which no one really pays me attention, my mind and senses becoming one, savoring every drop of a meal and the environment – and this new man, who both wanted me to enjoy myself and yet somehow demanded to sample and intermingle with every drop of my delight.

The subtle became nearly lost:  I drank a bold, organic red wine with our meal of appetizers, my palate finding, despite my distraction, the hints of tobacco, currants, blackberries amidst the dry tannins.  We discussed the merits of the puff pastry, which I enjoyed with its fresh arugula, broiled grape tomatoes and creamy, warm goat cheese atop eggplant paste; he thought it needed to be stuffed with cheese.  The mussels in their light white-wine-and-cream broth we agreed, as we fed each other on half-shells, needed more depth; he asked for a plate of lemons and some fresh thyme.

My mind flitted to the other guests as he improved the meal for me, bite-by-bite, and I enjoyed it more; I found myself worrying, at first, and then accepting our irreverent indulgence and obviously sensual enjoyment of the food and each other that was, at this point, no longer for the other’s seduction; he’d captured my attention and won me from the restaurant.

It is a strange game, to be captured by a man, especially when one’s interest is native and well-entrenched; stranger still to be stolen from something as inanimate as a restaurant.  And even more strange to have the restaurant turn around to compete again….

I had an unspoken taste for something rich and chocolaty-sweet, though I was settled on going home.  A moment later, with no instigation on our parts, our server brought us a sample platter of desserts, on the house.  The plate contained three delicious desserts, none of which I remember so well as the dark chocolate ganache that was precisely what I had wanted; my senses were now reeling, spinning out of control at the madness of this night, at the dizzying vie for my attentions and affections.  I sipped a double-espresso in an attempt to balance my mind, steeling myself against the sweet delights and my companion’s deft and intriguing conversation with the female half of F&B’s ownership – again, on my behalf – by focusing on the hot, bitter liquid.

It was clear, by the time we exited, who had won me this night, though I regretted the loss for the restaurant I had loved so much since first seeing it, to which I felt such a strange connection, that had left me with so little to applaud.

I hear it’s since changed owners, which makes sense from the new look and feel of their website, from the new, white awnings above the black-glassed patio.

He won me that night, my gentleman; for the night and for most of the following months.  And I lost that restaurant, lost F&B….

“Won the battle but lost the war,” they say….

For there’s not yet a man who can take me from my love of being, of experiencing a moment in its fulness, be the moment good or bad, passionate or blasé, deep or shallow, intimate or excruciatingly distant; and not many restaurants that fail to indulge.

Tempted as well as I am, they’re all just moments of falling in love.

A Touch of Madness (Or: Some Things Are Better Off Alone, Part Two)

From Southern Art
From Southern Art
Continued from Twitterpation (Or: Some Things Are Better Off Alone, Part One)

The brilliant thing about being ignored for the bulk of one’s life is that you have so much time and space to develop yourself, to give great attention to all the little things that strike your fancy, that take your heart. Fortunately for me, my wildest passions are interdependent with those of truly great artists; and some of the greatest artists existent in our age are chefs, brewmasters, winemakers, distillers of spirits. Perhaps it is because this is wherein our gratitude lies.

The two previous bourbons set me to giddiness with their individual degrees of heat and caramelization; I couldn’t wait to see their effect upon the cheeses, couldn’t wait to try the third and most-lauded, prized bourbon in Southern Art’s collection: Four Roses Private Label, made especially and exclusively for the Bourbon Bar.

My palate primed, the glass swirled and bourbon opened, I lifted the coolly-gold liquid and breathed in deeply: there was nothing of the sting of the first and no trace of heavy caramel notes, replaced by a quiet nectar so light and clean that the aroma needed to be scented twice, thrice to derive the faint honeysuckle perfume. Alcohol carries the scent through the sinuses; this was surely as potent, but so incredulously delicate!

Soft, faintly-sweet liquid poured over my tongue. I held the fluid behind my lips, rolled it across my palate, watched as the innocent tonic gradually roused its heat and revealed distinctly cherry-and-honey tones. This piece must be relished on its own; this bourbon would be dessert.

Cream and acidity are perfect compliments, which is why we love such combinations as peaches and cream, strawberries dipped in milk chocolate, dry red wines with fatty meats. The fats slip across our palates lusciously, the acidity bracingly washes it clean, and we are left thirsting to repeat this sensual rhythm.

As soon as I was introduced to the trio of cheese – Blue, Gouda and something like a Brie (but not, of course; it was Southern-bred) – I knew these bourbons were the perfect choice to pair. The silky textures were apparent, shining in the low light of this room. Served with the cheeses were crackers and four condiments: honeycomb, jalapeno jelly, green tomato chutney and fig preserves.

“No great genius ever existed without a touch of madness,” said Aristotle. If that is true, and it surely is, then Southern Art’s Art Smith must be a little mad.

And his madness is infectious, for I am still stricken by the experience.

The earthiness of these fig preserves hit my palate immediately as I bit into saltines that defy their Southern name, through (what was that brie-like cheese?!) silky cream spreading dark fruit across my tongue. I think I gripped the armrest in reflex; I certainly felt shoved against the back of my chair, my opened senses punched with the intensity of this meal.

Yes, a single bite can be a meal, when it nourishes so deeply.

I felt like a fool, so vulnerable to such a base thing as food. But excited, eager to experiment with my bourbon flight, I plucked the Yellow Label and tasted….

The intense heat mirrored the intense flavors of the food, felt even gentle in comparison, cleared my palate and readied me for my next bite.

I had a plan: a slice of each cheese, with each condiment, in rhythm from right-to-left, until all were sampled. Next was the Gouda.

Coupled with the tangy green tomato chutney and accentuated by the salty, nutty crackers, the Gouda’s creaminess shone; this was heaven.

…The flavor combinations continued incessantly, putting me in mind of food experiences as related by Remy in Disney’s Ratatouille: explosions of fireworks in the brain as one beholds new flavors blending in ways previously unimaginable. Dripping jalapeno jelly on Blue sent a spicy-sweet fire through my mouth in one of my favorite combinations, followed and stoked lustily with spicy-sweet-heat of Four Roses’ Yellow Label; Gouda and honeycomb layered on delightfully nutty saltines resulted in a bite-sized delicacy somewhat reminiscent of baklava; bites of silky cream next provided the perfect backdrop for sweet-and-sour green tomato chutney….

I was overwhelmed, rapt, swept up in sensuality the likes of which I hadn’t felt in ages, driven to the next bite and lingering on the last; I forgot the room and the people around me, lost to the madness of perfection in fare such as this. I became shyly aware of my rapture a few times, but truly, this was too good; I pushed the feeling aside and kept to my meal, to the task of tasting every single combination….

…When I became starkly aware that someone was watching. I felt jealous: this was my sensation, my passion, my meal; I caught his eyes and asked, wordless, of his interest.

He stammered, tried to explain that he wondered only what I was drinking.

Indeed.

The charm of my meal was no longer my own; the madness of my intent, of this meal, of this place had infected someone new. I indulged the man’s conversation; I was in the habit of being mad, wanted to share; I was so rich from my love-affair with cheese. And bourbon, of course.

He bought my dinner, indulged me in more servings of Four Roses’ Private Label bourbon – which I did drink for dessert, amidst forkfuls of sinfully-rich Red Velvet Cake; and we conversed while he ate and enjoyed his meal.

The sensuality of my meal naturally returned to me in never-ending forkfuls of tender, rich, scarlet cake twelve layers high, interspersed with ivory, sweetly-decadent cream cheese frosting (a type of cake that helplessly brings Gone With The Wind’s tragic heroine to mind), kept demanding my attention with its dreamy perfection, cleaned with cool sips of the bourbon I’d come to love.

The night lingered; the cake lingered; the bourbon lingered.

And Southern Art lingers, to be experienced in depth again and again….

…Where some things are better off alone and gifts may await in the ways of genius; the price: just a touch of madness.