Ode to White

Tucked into nearly-nothingness
The fall of snow, I must profess -
Aside from chill that does repress
My eager heart and mind -

May be of Nature's best success
The purity does quite impress
With wafting swirls in great excess
Despite those quarantined

The color, fine, in evening dress
Is perfect as love's faithfulness,
Blended light made to coalesce
As none others less refined

For white, alone, cannot oppress
A canvas on which to express
Each step of life's minute progress -
With white, I am aligned.

Kindness Brings What Kindness Does

Within a measured caste, am I,
yet treasured by the skies above
or so it seems, when, like a dove,
my soul has wings, has learned to fly

And freedom is a treasured thing
I find in dusky days and nights
alit by stars and firelights,
though open heart is all I bring

And I, though humble cast-away,
am rescued by an unknown Queen,
removed from all the pain that’s been,
may find a home where I may stay

So, for the kindness She bestows
upon my weary heart and mind,
I, too, must give my heart in kind
and treasure my life, highs and lows

No longer dirty, beaten-down;
no longer tiresome, parched and faint,
I lend my soul without complaint
to She, the bearer of that Crown

For kindness brings what kindness does,
as proven throughout history,
as proven, yet, if but by me
in all I am, and all that was

written for the doll, Sofya, in the Skotos world of Castle Marrach, in honor of Queen Vivienne

A Way Out

Nobody can make it “okay” except for you.

You’re struggling. I get it.  I’ve been there in so many ways, so many times, you wouldn’t believe it.

The only way out is you.

I’ve been penniless before.  I’ve starved three times in my adult life:  twice when I was pregnant with each of my kids.

I’m talking:

We daydreamed of what might be in the refrigerator,

we were so poor;

and that’s not even nearly the worst I’ve suffered through.

So, I get it.

But here’s the thing:

Find what you love,

not WHO you love.

Do what you love,

not WHO you love.

That solves everything.

Literally everything.

BE who you love;

That’s really the only step.

There’s just one. That’s it.

Your stories are, unfortunately, just a slow way for you to examine yourself until you can get to THAT TRUTH,

and, until you figure out THAT TRUTH, your stories are unfortunately just excuses.

I’m not dismissing you. I’m trying to help you.

But it is up to you to decide that you are committed to you.

Write.

Every single day.

You can use your computer, if you like.

Just use Notepad.

But write EVERY SINGLE DAY:

Write your stories;

Write them THERE.

Write about your frustrations.

Write about your dreams.

Write until you’re sick of hearing yourself write.

Write until you’re sick of complaining about the same old shit.

Write and write and write and write and write and write.

Something will break in you.

Don’t judge ANYTHING you think or feel.

Write it ALL there.

It’s your sacred place without judgement.

Let no one read it unless you feel like they are someone you feel you could die with:

I mean that very very literally.

Let no one read it unless you TRULY want to share it.

Write like it was going to save your life

Because it WILL,

if you keep writing.

When you feel like it, go back and read old pages.

Write about your hopes, your dreams, your frustrations.

Write about how sick you are of whatever you’re sick of.

Write about how stupid I am for giving you this damned assignment – if that’s what you feel.

But WRITE

EVERY DAY.

Give yourself a word limit. You can write more, but not less.

You’ll fail.

Do it again.

Keep writing.

THAT is how I saved myself.

Part of it, anyway; but that was significant, huge.

That’s why you have to commit, first. You see?

Your conscious mind will find a way to express to you all of what matters, and the writing will tell your mind that these are the things that matter to you most.

It will focus on solutions for those problems

and it will help you find them;

but if you are dishonest

you are only cheating YOURSELF

and you will find yourself unhappy.

It’s as easy as this:

If you go to McDonald’s and order a Big Mac when you really want an ice cream cone, you can’t blame anyone except yourself for NOT getting the ice cream cone.

Understand?

And if you HATE McDonald’s?

You can’t blame the existence of McDonald’s.

You can only blame yourself for GOING there.

Super-easy, huh?


** With credit and profound thanks to Julie Cameron for her wise advice in The Artist’s Way and to the late Frank Herbert for his immense wisdom in all the books of the DUNE series – all of which has changed my life only because I took it all and made it mine.

What Happens When You Let Your Dreams Wake You


I was sleeping, dreaming an unusual dream, when I woke suddenly

I stepped outside the room and looked through the tall, glass window in the centre of the loft

Clutching the robe to my chest, I walked down the steps, barefoot, onto the dew-drenched grass

My cold feet braced against the shocking pain of the stony path as I made my way to the misty field

And he saw me


Some dreams are worth the waking

This Side of Nothing

It’s not what I thought it would be.

I gained a good thirty pounds, I’m sure.  They still say I’m sexy, and maybe I am…. Sometimes I feel so, and mostly I just don’t know.

I never thought I’d be so comfortable lounging around in the late English summer, breezes blowing coolly across a grassy lawn and stirring the leaves in the trees so they sound like ocean waves coming ashore, RAF planes flying overhead at indiscriminate intervals.

I didn’t think I’d feel so comfortable after starting to fall out of love, to rest so gently on its precipice.  I’ve always thought:  If I’m out of love, I’ll be alone.  I won’t be me.

But I’m not alone.  And I’m still me.

Maybe I’m even more me than ever.  I certainly express more of what I think and feel, in the moments of thinking-and-feeling.

And he’s not too bothered, not enough to wish me gone.  Perhaps it’s because I still love him….  Perhaps it’s because he loves me.

I’m just, more or less, alone.  Exactly the way I like to be.

Falling out of interest with falling in love, but sitting on this precipice, nonetheless.  Not in love nor out of it, but just loving.

It’s funny, because it’s what he talked about from the beginning, what he’s been so concerned that I feel, more than anything:  That I’m comfortable.

I didn’t want to be comfortable.  I resisted fiercely.  

I’ve grown so accustomed to being uncomfortable, to being on the verge of falling off a cliff of some sort or other, to facing my fears, to facing my demons, to mirroring others’ demons so they can face them.  It’s not always fun, but the coming-out is; and it’s always rewarding.  You inhale a great breath as you walk out of Hell and you never know where you’ll end up.

Before, you were often there, or rather, you’d come around again to check in with me, to check in on me.

C: “How are you doing with your injury?”

M: “It hurts, and it’s very swollen.  I have to take the pain meds pretty regularly, and I get really tired.  But it doesn’t hurt as much as it did.”

C: “…How are you otherwise?”

M: “I’m lonely.”

C: “What about the 50k guys that were swarming you?”

M: “That’s why I’m lonely.  Swarms mean there’s no connection and the real people can’t get through.”

C: “I understand.  I am kind of a needy male, too.”

C. & M. text conversation

I told him when I met him that I’d lose you, if I fell in love with him, if I ever wound up with him.  Was it Fate or some strange connection between us, some strange agreement made long ago in an unspoken language?  Whatever the case, the timing was as queerly precise as ever.  And, boy, did you seem angry.

But I guess I’ve walked out of Hell again; and, instead of you (or anyone, really, except for him), I’ve ended up on a very cozy, quiet farm in the east of England where the birds chatter all day and for most of the night, where the farmer is flirtatious and kind, where the horses nibble grass all day long, and the foxes cry at night like complaining factory machines.  The doves, however, drive me crazy with their plaintive coos that sound, to me, like a sleeping baby with a bronchial infection.

And I am alone all day long; kept watch over all night long.

I thought I was coming to Europe to run – actually, to sail – away from my problems and into myself.  Greece was gorgeous, but it didn’t work the way I had planned. I was sad that I had nowhere to go next, that my plans were dashed.  And you made it clear that I was not to come visit you, expressed in no uncertain terms; and I couldn’t alternately arrange to visit my friend in Italy.

So, I returned to England.

Sex with the Englishman I’m with is grand, but it is not enough.  But I knew that with you.

Nor is it an escape.  I knew that with you, as well, but I never knew it so well as I know now.

Supplant “sex” for “travel,” “TV,” “books,” “writing,” or “work” and the truth clings intensely in all cases:  

Not a single one is ever enough, in itself.  Not a single, solitary activity can ever be a viable escape.

You want to know what our problem was?  I’ve wondered for seven years.  

It wasn’t money, neither having exorbitant amounts to spend frivolously nor suddenly having next-to-none.  It wasn’t that we loved our love life and explored voraciously.  It wasn’t your history or mine; it wasn’t even your jealousy or my vehement heart.  

It was our isolation, yours and mine, from each other, and from ourselves.

Particularly from ourselves.

I find myself as isolated as I’ve ever been in my life, now, for most of the day, for most days.  I still wake up vibrant and excited when I know I’m going somewhere new to explore and see things I’ve never seen before, to indulge in my passion of connecting with strangers, to let my curiosity guide me.  I can wash my bare feet in frigid ocean waters as comfortably as burying my toes in warm sands under the intense sun.  I wander sweet-scented woods, wondering at the ages of gnarled trees and all they’ve seen.

The difference in my thinking is that I’ve realized that no one thing can be everything, no matter how much I love the activity.

Because: In-between atoms, what is there?  In-between the protons and electrons and neutrons, what is there?

There’s a whole lot of nothing, with everything floating, colliding, meandering.

And that, I’ve realized, is where I like to be: In the ‘nothing.’  

The past, the present are somewhere in all of that nothing, all of my feelings and all of yours and everyone else’s, too.  There’s an endless supply of possibilities… maybe not everything you or I would wish to be, and most certainly some things we don’t favor, but plenty that we do, or might, or could.

Right now, between us, there’s not much.  There’s our past, but I’m not really holding onto it anymore.  I daresay there’s nothing between us, except perhaps my love for you (which may or may not reach you) and whatever you feel for me (which may or may not reach me).

And I’m okay with that nothing.  I can sit very peacefully in nothing, having spent a lot of time in it, listening to the cacophony of guilt and accusations and suppositions and wishes and dreams racing through my head.  Having let it be, having remained doing nothing, being nothing, I can listen to a whole lot of things.  I can remember nearly anything I want; I can look and examine the past or the present, or dream about and even try to plan the future.

I start to realize that the only reason I wanted you with me, the reason I wanted to see you again, the reason I wanted to re-start our “something” was because I was so desperately afraid of the nothing.  I was afraid it would consume me, my feelings, my everything.  

Us.  

And you.

But: There’s nothing between us now, and it’s not consuming what we were.

There’s nothing between us now, and it’s apparently not consuming you.

There’s nothing between us now and I still love, can still love you.  And I still do.

There’s nothing between us now…

And you’re still you.

And, better still (because it matters so much to me, and in me is all of what I love, including you and us):

There’s nothing between us now.  

And I’m still me, too.

Photo ©2007 MLM

Listen, if you will.

These words are the result of Nothing.

I’ve been quiet for a very long time; most recently, for the bulk of four months.

That’s not to say that I’ve been silent or that I don’t speak my mind to people, nor that I’ve been completely isolated of people.  I’m not repressed in my thoughts or feelings (though I do sometimes withhold or choose to express only certain thoughts and feelings).

Lawn Chairs on the Farm

But, by the nature of the way I am, and by circumstance of where I live, I am silent, alone with myself and my thoughts, my memories, my perceptions, the tides of my feelings for nearly nineteen out of twenty-four hours on weekdays, maybe twelve hours on weekends.  I bask in the dreams my mind concocts at night, consider which of the dreams I concoct during the day that I want to follow; I watch, with peaceful habit when I’ve thought too much, the tall trees brushed by invisible gusts and breezes; I listen, my mind aching and yearning for adventure, to planes from near or far flying over this quiet tract of land, to the repetitive birdsong of my contented woodland neighbors who put my mind at ease.

Of course, in this well-connected and media-driven world, there are always ways to reach out, across the Atlantic and back to my home to communicate with my parents, my friends.  There are always ways to distract my mind when it becomes too full of worry, of dismay at the stillness I now live after so many years of trial and turmoil — never mind that stillness is what I sought, never mind that a deep peace was what I need.  When the ghosts in my mind start screaming that I’m not doing enough, that I need to meet people, that I need to have some kind of adventure; when I can’t convince my body-and-soul to listen anymore to the quiet in the woods that I nevertheless always love; when writing and coloring and doodling is too frustratingly unsatisfying, I watch for hours and days some soul-wrenching series on a widescreen TV, a luxury I’ve not taken for much of my life.

It’s the stories that keep me, the well-written screenplays exploring gangsters’ lives in the 1930s, creative genii inventing worlds and monsters in believable and unbelievable ways to pull viewers in and make us look over our shoulders in fear at night.

I watch them with a passion, with a thirst for adventure that doesn’t exist in this phase of my life, with gratitude that, when my mind is filled with too much danger or fantasy or incredulity, I have complete control to turn it off with the press of a button and set the stories aside to embrace, again, the cool breezes playing with palm fronds and shimmering leaves or the languid, grey days.

This is the therapy I give myself daily, for months, as I ease myself into the truly-peaceful life I feel is mine.

Shefford Victorian Sea

Finally, it is hot in a way that is familiar to my Southern-born skin.  My mind pulls out long-ago-formed dreams of lazy walks on remote beaches under tall palm trees, of owning and creating a retreat so thoroughly, intoxicatingly relaxing that those who visit are changed while there, are converted to peace and beauty even after they leave, become so completely the antithesis of stress and commonplace angst that they change the world in the wake of their everyday lives.

I know this has been the dream of people, in various forms, through many ages; that even the hippies in my parents’ day were ultimately after this goal:  to spread peace and love.  It is the goal of many, even today, through so many venues of spiritualism and activism….

When I was a child, I watched and loved Fantasy Island.  It was, to me, the most beautiful dream of a place where people went to live out their fantasies, where real magic happened and people left utterly changed for the better.  My mind always wandered into reality and wished, hoped for, wondered where this place was in the world… wondered how one would create such a fantastical place.

I still don’t know how to create the place of my dreams such that others can enjoy it, can walk away changed from being in it… but I am certain that is what I am working on, more than any single piece of writing, more than visiting any single land, more than meeting any single culture of people, more than any single love affair.

River Fireworks

I didn’t leave “to travel,” and I always knew it, even before I left Atlanta five months ago.  I didn’t go to “see the sights,” to visit museums, to wander through cities — even if I love doing so.  I came to Europe to find peace, to find myself again, to get lost wherever I was in ways I’ve not been lost before – since that is the best way I have found to face the demons I’ve carried with me, and to make peace with them again.

I came here to be terrified of being alone, and, through that terror, to remember that I’m most well when I’m alone.

I came here to feel morbidly unloved, and, through that desolation, to love myself and let myself be loved.

I came here to be bereft of everything, to have utterly nothing but the clothes in my bags, to find that nearly everything I owned was of no use to me – even most of my clothing, my computer, my iPhone and all of my apps, my pencils and pens and coloring books, my notebooks and fountain pens and the gifts others gave me… none of it satisfied me; none of it fit.  I came here to discover that I am more well in myself, whatever size or weight I am, whatever little I was creating, whatever temperament I was in, however many days I thought I was wasting, however few people I had close to me…

I came here to learn what I always knew and forget, sometimes.

I came here to fall in love with myself again.


You know those people who you see and just fall in love with them, instantly?  That boy or girl who is just so fantastically beautiful, who moves in ways that mesmerize, whose smile is so charmingly profound that seeing it sends you into fantasies – whether the smile is directed at you or elsewhere?  You know those people whose faces you can see in your mind, whether your eyes are open or closed, to whom you feel connected even if you’ve only spoken a few times?

Filly Newborn

You know those people you fantasize about, who are larger-than-life… or sometimes just small enough that you want to put them in your pocket and carry them with you everywhere, like a totem that you can pull out whenever you’re unsure or alone or sad or frightened that will instantly make you smarter, brighter, happier, braver, more alive?

Everyone has them, I think.  And it hardly matters if they are as wonderful as we see them, as we imagine; it hardly matters if they love us or don’t know we exist.  They’re like angels, like fairies, like imaginary friends, and they make everything, everything better.

Well…

Imagine…

If that person…

Was you.

I don’t mean:  Imagine you were that person for someone else.  No doubt you are, for someone.  Knowing you are might even make life harder for you, for you undoubtedly feel you are not worthy of such adoration, and you might feel you now have to work harder to be the person you’re expected to be… and those expectations are sometimes unreasonable.  Unbearable.

I mean:

Imagine if you felt, knew, believed in and saw yourself as that fantastically-inspirational love.

This is not a pep-talk.  Such pep-talks rarely work, I have found.

What it is, is a suggestion.

Jordan's Mill Flower

Because, what I have found through loving many, many people in such bright-and-beautiful ways, in holding them as the ultimate prize, in adoring them with fantastical ecstasy, in giving them the position of muse and profound inspiration…

And finding that they yet hold themselves accountable for countless things, despite their successes or failings…

What I have found in being rejected countless times, in having my gushing adoration refused and ignored and placated and even sometimes accepted for a time…

Is this:

No matter how many people I love.

No matter how many people I adore.

No matter to how many people I give myself and all of my talents and passions and skills and knowledge.

No matter what I do.

Every single person I love is a reflection, in the most profoundly simple way, of me…

of what I love…

of what I do and can do…

of what I enjoy and can enjoy…

of the way I am with others and how I’m seen with others…

exactly as beautiful and quirky and broken and together…

as old and young, as spirited and complacent…

as kind and as cruel.

I am drawn, over and over and over again, exactly to me.

So, you know that person who you hold so magically beautiful that you cry when you can’t have them, when you sob because you’ve been rejected, when you ache to have them near?

That person

is

YOU.

And that’s the trick to never being alone, to doing nothing at all or all kinds of things.  That’s the trick to everything.

We’re just looking in a mirror, talking to ourselves, seeing and sharing the beauty in everything.

That is me.

Farm Rainbow

Tempted to the Realm of Woodland Sprites

I finally went for that walk I wanted to take around the back side of the stream. It felt good being in my flip-flops and tank top, even with the nettle plants and thick overgrowth. I needed it more than I realized, far more than I gave it credit – even if I coughed raucously as I walked, death rattles of this persistent sinus infection.

It was beautiful. The tufts of flowers sprayed poofs of pollen on my black top and pants as my feet stepped on dark earth, stepped over and around tall, green stalks of small purple and pink flowers that bees fancied so much, I talking to my flying friends in warning so as not to startle them into stinging me. I felt like Alice, wandering through giant gardens….

It was curious, too: here and there were large patches of growth that something – some animal or erratic person – had smashed down to the ground and trampled more in some places, less in others. I kept wondering if it was a deer or a fox… But it couldn’t have been a deer, for the patches would have been deeper; and I would think that foxes would be more spindly than to make such messes of the flowers. It hardly makes sense, too, for any human to have knocked down the growth along the sides of the path, as opposed to on the path. As a matter of fact, nothing showed that anyone human had been on that part of the footpath in a while, the overgrowth was so tall and thick throughout.

And the stream rushed by, no further than ten feet to my left, the only live body of water in my regular vicinity since I left Greece and the Aegean Sea a few months ago….

…I still miss the sea, the ancient beaches of stones smoothed by millennia of gentle waves caressing the rough edges away, beaches where it was easy to bask in a warm sun’s rays and cool my tanned skin in cold, crystal-clear salt water, where the luxury of nature made it so easy to understand how volumes of art, wisdom, beauty once came of the inhabitants there.

But I had left the sea to return here to England, where my heart had left loves, where I was not nearly finished exploring my own country’s motherland….

Of course I was mad – not because I wasn’t at the sea, but because… well, because I didn’t feel free. And my mind kept going back to all of the reasons I was mad; but the tall, flowering greens kept my attention, and I needed my wits to avoid the nettles and other spiny plants growing on the path. Even so, my bare ankle brushed one nettle plant and my forearm brushed another – I was only caught the two times, and the red welts are now already tiny marks on my skin that sting but a little, reminding me in an oddly-pleasant way of both the anger and the beauty of my forage along this infrequently-trodden path.

…And then it started to rain in light, sparse sprinkles (though no one here calls it “sprinkling,” and I’ve infused the term into my Englishman’s language as something lovely and akin to colored sugar sprinkles falling from the sky). The rain cooled my skin, warmed from the heavy walk; and I wanted to sit somewhere in the falling water to watch the greater, speeding waters flow past, burbling to no one in particular about its journey and days….

And then the path cleared, went on, over an unexpected concrete bridge where the stream was wider and flowing quite fast and deep. Perhaps I’d take off my beach shoes, damp with dew and yesterday’s rains, and sit for a bit….

It was a fleeting thought, though; the movement of my feet and body through so much green was closer to what I needed, and so much the stronger urge.

The path followed closer to farmlands, edged with old trees and tall grasses that showed this part wasn’t used very often, either.  I couldn’t tell if I would wind up walking all the way into town or to the gates I had seen before, on the other side of the stream….

I didn’t really want to go ‘home’, and my mind raced with reasons why I should:  what if the door was locked when I returned? What if I got caught in a heavier rain? The legs of my cotton pants were already swinging heavily with the dampness they had picked up in the thick, and I was still recovering from this illness….

It didn’t work so well as I would have wanted to erase the pain of the evening’s madness, and my mind rang with the article about wisdom of that Greek ancient, Hippocrates, of walking until one’s mood has improved — and if, by the time one has ended one’s walk, it has not improved, to walk some more.

I could have walked all day before my heart found peace, I think.

And, even as I reached the long, granite-graveled lane, even as I stepped into the hot shower, I knew my heart needed me to walk some more.

For, as terrifying as it was to risk being stung by plants and insects, as cold as I am sure I would have become had I been caught in a storm, it was safe, too, to be amidst other natural things that grow strong and tenderly, that brushed my body in gentle-if-sometimes-painful caresses as I wandered down an unknown path in a foreign land that feels yet not unknown; and some part of me wanted, with each patch of pressed-down foliage, to sit and stay and watch the bees and dragonflies and butterflies and wasps and other flying things, to see snails carrying curling shells up spindly stems, to wonder at the huge, black slugs and other crawling things beneath my feet… to lose myself deep in the green, as quiet and unbroken as a woodland faerie, lost from any who would not be as natural and free with themselves, who would query and misunderstand my eager return to my own nature and freedom… who won’t let themselves be, and cannot, therefore, truly let anyone be.

The Elusive Poetry of a Misty English Evening

The sky is white-grey in a way I’ve never seen before, except in movies.  It mingles with the silence of this farm in a blanket that feels warm, embracing, romantic, especially as the birds are not yet asleep; and their high-pitched calls to each other embellish this scene like golden-threaded embroidery.

I’m in England again.

I could sit and stare for hours at this line of trees along the path to the road, especially in this light:  They and the birds and the tiny black bugs stand out in fragile, muted silhouette against the empty canvas of the sky; a living tableaux, displayed perfectly by the thick, black window frames.

I step back for a moment, in my mind, and realize that the architect must have planned this out, must have known these vast days and nights would be made more picturesque by four panes framed like this.  He must be humble, to create such a thing that lends one not to appreciate the window, but the beauty beyond….

And my eye is drawn back to the white sky outside and that line of trees that barely move in this quiet spring rain.

I am a fool to think that anyone else can live like this; and I have been told often enough by friends, lovers, enemies that I am different, that I see and live the world differently; and I always protest.  But the reality comes now, as I sit inside a tiny renovated barn at a table that is not mine and behold a scene that could only belong to me in happenstance, an accidental gift from a man who profoundly cares for me – and whom I can barely even consider in this moment because of the profound feeling of wonder I have for nothing more than those unmoving, dark, spindly lines on that infinite grey-white backdrop inside obsidian frames…!

I could suggest that others come to England and behold the beauty of the rolling hills from which, in mornings, mists arise and hover with sweet-scented grace beyond the city of London – mists and hills and scents that inspired poets and authors and painters to create what sedentary city-people the world over can only faintly imagine.  Those things, only hours beyond London’s borders, are accessible to all, if one leaves the city early enough and drives down the well-kept expressways or through tight country lanes that curve in their own ambling ways through multitudinous old villages – where “old” does not even begin to connote what we Americans understand of the word; where thatched roofs atop buildings of centuries-old-brick are yet commonplace antiquities to residents and wondrous novelties to those youthful, pridefully-modern eyes that come, and look, and see.

I could beg of travelers to make friends of locals, as I have and do, and spend time in out-of-the-way towns and villages and shires that hold nothing apparent, which even the English beyond this area ridicule, that I visit for the sake of love and friendship and a quiet kind of adventure that I love dearly.  I fancy that I forage for adventure here – even though I see it all around me in the lingering sunrises and sunsets that last for hours, in the rich, upturned soil beyond the nearby fence, in the stream beyond this barn and the horses and their riders meandering by; in the owner of this farm whose friendship I’ve already earned with nothing more than my honest openness, quick smile, and a genuine interest in his work, his land, his barn.

I could suggest that friends and loved-ones let their hearts take them where they may – even walking barefoot into stinging nettles on chilly days and through soothing, soft, black clods of not-quite-mud; along horse-trod paths where long, silken grasses grow just beyond the reach of nearby thoroughbreds that one mustn’t touch.  I could suggest that those who read this befriend and ingratiate themselves to someone with whom they mysteriously connect, and offer everything beautiful they have to give, that they may find what their heart yearns for….

Except that I’m told, over-and-over, that I am different; that no one does this.

And, I guess, it’s true.

Because:  who will make themselves so vulnerable, so exposed, so fragile as to not know what will happen from day to day?  Who will let themselves live in a moment so completely that every moment before and after threatens to crush one’s mind with power and complexity and fullness that comes in nearly-certain waves of uncertainty?

I know very few.

So:  I can write and tell of these beauties I see.  I can tell true tales of love, of a white sky opening, finally, with the faintest hint of blue to let the clouds beyond display themselves for a moment before fading altogether, this evening, into a single sheet of translucent grey-blue.

But I cannot suggest that anyone attempt to live or duplicate this life… for it is, and it remains, uniquely mine.

Romanced by the Motherland

It’s not supposed to be this sunny in England, this often.  Even today, the weather report on my phone promises mostly clouds and a 50% chance of rain in six minutes… and, while I see the clouds steadily marching in, the sun persists.

It’s not warm, by any stretch of the imagination. The wind blows in strong, cool gusts that tease the fronds of grass along the fence-line in the exact way I tease my love’s hair, brushing it again-and-again the wrong way, just to watch it fall back into place.

And the rain finally comes, half-an-hour late, streaming in insistent beats from a now-grey-white sky, as if to tell me it will do as it wants and the sun may not have my full attention; as if to tell me that even the sky happily indulges my Englishman’s and my playful tales of his power to bring the elusive, illustrious rains for my pleasure; of my power to bring the sun to this usually-cloudy land after captivating Helios’ affections while in Greece until a week ago.

It rains in sideways-streams as my darling drives down the long, gravel path from the road, past the horses and the dark, upturned soil just beyond the beautiful barn reno that he — that we live in.

It’s somewhat stunning to realize that I’m living here as much as he, and sometimes living here more, since he drives off to work in the mornings and home in the evenings, while I actually live here all day when he’s gone.

I wandered away from the house for the first time since I arrived at this lovely country home a couple hours north of London and incidentally met the landlord as I walked along the horse-path next to a pretty little stream bordering the property.  The silver-haired man drove up in his red car with three dogs inside, stopped beside me and stepped out of the wrong side of the car to gently-but-firmly ask who I was.  I smiled, as I always do, and explained that I’m staying at the loft with his tenant; I saw his clear and lively blue eyes shine back at me as his own smile broke across a beautiful, weathered face.

We got on immediately. He teased me in a way that I believed was earnest (for a moment) about my “awful color” – the bronzed skin that I brought back from Greece that contrasts starkly with that of this Englishman, whose pale skin betrays the normally-cloudy-and-cool conditions that keep most residents well-covered.  While in London a month ago, I stood out because of my wild, merry eyes and quick smile; I now stand out even more starkly with the mark of the sun god on my skin and gold-streaked hair.

We chatted for a while as his daughter’s black-and-white springer spaniel ran to the chase the ducks and fowl near the stream, impressing me with a confident, gently-firm manner he must have learned over many years and with many animals.  Every moment I spent with this farmer made me like him more.  My mind delighted in his wit and charm as we chatted; and he explained to me that the people in his village would be more likely to converse with me than those folks I might meet in London.

I’ve since been queried harshly by other Englanders on social media as to why I would spend time in Bedfordshire – which seems a silly question to me, as here is where my heart finds itself well-cared-for and extremely happy and restful on this quiet farm with a man I fell in love with years ago.  Adventure is dictated by one’s nature, I think; and I had plenty of adventures in Greece that would fit many people’s definition of the word; while here, on an out-of-the-way horse farm within walking distance of a small village, I find the kind I most enjoy: Discovering myself, taking long walks and making strong connections with random strangers, and falling in love.

I haven’t yet found that the citizens of Clifton are very chatty; but I’ve only walked around the town twice and only once spoke to locals at the butcher’s while picking up a bit of fresh produce.  While it is obvious that my American accent is quite a novelty here, I do best when I’m with my Englishman:  People catch some part of our lighthearted banter and, seeing a curious look in their eyes, I include him or her in our conversation.  Perhaps if I was to take some time in a pub….

Whatever the case, I was tickled by the landlord, that gentleman-farmer who stood before me in red coveralls, obviously as charmed by my wildly-American, childish openness as I was charmed by his display of English breeding that flirts ever-so-gently with impropriety without ever crossing the line.

And I am charmed by this land, by the gorgeous cobalt clouds laden now with rain, highlighted by the hidden sun.  I love this quiet life where, once-upon-a-time, artists like Jane Austin and Vincent Van Gogh were inspired to create their individual masterpieces of love; where the active mind can rest and find itself joyful in the tiniest of things: In flickering blades of grass and gentle horses and proud-but-nervous pheasants.

And, though I love the city of London, I would rather inspire Americans to come to the countryside, where our childishness is cherished, where our naivety finds a welcome home – if we are open and honest; where our busy and hard-working souls can find respite in the arms of our motherland — one that knows us, in paradoxical truth, better and as distantly as any mother may.

Real love is always chaotic. You lose control; you lose perspective. You lose the ability to protect yourself. The greater the love, the greater the chaos. It’s a given and that’s the secret.

Jonathan Carroll, White Apples
(via wordsnquotes)

Water Under The Bridge

Who’s the real you? The person who did something awful, or the one who’s horrified by the awful thing you did? Is one part of you allowed to forgive the other?

Rebecca Stead, Goodbye Stranger
(via wordsnquotes)

The Return

I waited.

I learned.

I did not leave, nor quit of my feelings.

Why would I, when love IS?

Why would I, when you ARE?

Why would I, when I AM?

I waited.

I learned.

I felt you so many times, and I still loved you;

I knew you always loved me, too.

Why wouldn’t you, when love IS?

Why wouldn’t you, when you ARE?

Why wouldn’t you, when I AM?

I waited.

I learned.

I did not give up hope – though almost…

And you returned.

I don’t know how long it will last – but I will still love you;

I don’t know how it will look – but I will still watch you;

I don’t know how you will be with me – but I will give to you…

Because love is,

Because you are,

Because I am

Always.

 

It is not humiliating to be unhappy. Physical suffering is sometimes humiliating, but the suffering of being cannot be, it is life.

Albert Camus, Notebooks 1951-1959  (via wordsnquotes)

Be yourself; everyone else is already taken.